SPEAKER SERIES 2010-2011
Winter 2011
Thursday, January 20, 4:15-7:00 pm
Room 208N, Munk
Ann Komaromi
Samizdat: Material Texts and Extra-Gutenberg Publics
Organized by the Toronto Centre for the Book, University of Toronto, and co-sponsored by the Centre for the Study of the United States.
Ann Komaromi is Assistant Professor at the Centre for Comparative Literature. Komaromi's interests include the avant-garde in literature and visual arts, the Russian novel, Soviet nonconformist art, and dissidence. A significant portion of her research has been focused on late Soviet writing and publishing, especially the Samizdat text and alternative textual culture. Her publications include an article on "The Material Existence of Soviet Samizdat" (Slavic Review, 2004), "The Unofficial Field of Late Soviet Culture" (Slavic Review, 2007), and "Samizdat as Extra-Gutenberg Phenomenon" (Poetics Today, 2009). Komaromi was awarded a SSHRC (Social Sciences and Humanities Research Council) grant in 2006 for the study of uncensored texts of the late Soviet period. This grant contributed to work on current projects, including a catalogue and history of Soviet Samizdat periodical editions. She is also working on a book manuscript about Samizdat and uncensored novels of the late Soviet period.
Friday, January 21, 2-4 pm
Room 208N, Munk
Marc Stein
The U.S. Supreme Court's Sexual Revolution? Sex, Marriage, and Reproduction from Griswold to Roe
Co-sponsored by Sexual Diversity Studies, and The Constitutional Roundtable, University of Toronto Faculty of Law.
Marc Stein is Associate Professor of History, Women's Studies, and Sexuality Studies at York University, Toronto. He is the author of City of Sisterly and Brotherly Loves: Lesbian and Gay Philadelphia, 1945-1972 (University of Chicago Press, 2000); the editor-in-chief of the award-winning Encyclopedia of Lesbian, Gay, Bisexual, and Transgender History in America (Scribers, 2003); and the author of the new monograph, Sexual Injustice: Supreme Court Decisions from Griswold to Roe (University of North Carolina Press, 2010).
Copies of this publication will be available for sale following the lecture.
Friday, Jananuary 28, 2-4 pm
Room 208N, Munk
Lane Relyea
CSI vs. DIY: Photography Between Aftermath and Aftermarket
Co-sponsored by the Department of Art, University of Toronto.
Lane Relyea is a Professor of Art History, Northwestern University. Relyea received his Ph.D. in Art History from the University of Texas at Austin in 2004. Since 1983, his essays and reviews have appeared in numerous magazines including: Artforum, Parkett, Frieze, Art in America, and Flash Art. He has also written recent monographs on Polly Apfelbaum, Richard Artschwager, Jeremy Blake, Vija Celmins, Toba Khedoori, Monique Prieto, and Wolfgang Tillmans, among others, and contributed to such exhibition catalogues as Public Offerings, and Helter Skelter (both Museum of Contemporary Art, Los Angeles, 2001 and 1992, respectively). From 1987 to 1991, he served as editor of Artpaper, a monthly art magazine based in Minneapolis. After teaching for a decade at the California Institute of the Arts in Valencia, where he joined the faculty in 1991, he was appointed director of the Core Program and Art History at the Glassell School of Art in Houston, Texas, in the summer of 2001.
Friday, February 4, 2-4 pm
Vivian and David Campbell Facility
Munk School of Global Affairs
Saidiya Hartman
The Seventh Ward and the Studio
Co-sponsored by the Department of English, and Diaspora and Transnational Studies, University of Toronto.
Saidiya Hartman is Professor of English and Comparative Literature, and Women's and Gender Studies at Columbia University. Professor Hartman's major fields of interest are African-American and American literature and cultural history, slavery, law and literature, and performance studies. She is on the editorial board of Callaloo. She has been a Fulbright, Rockefeller, Whitney Oates, and University of California President's Fellow. She is the author of: Scenes of Subjection: Terror, Slavery, and Self-making in Nineteenth Century America; and, Lose Your Mother: A Journey Along the Atlantic Slave Route. She has published essays on photography, film, and feminism, and is beginning a new project on photography and ethics.
Thursday, February 10, 2-4 pm
Room 208N, Munk
Nan Enstad
American Dreamers and Global Cigarettes:
Seeing the Corporation as an Art Form
Nan Enstad is Associate Professor of History at the University of Wisconsin, Madison. She is the author of Ladies of Labor, Girls of Adventure: Working Women, Popular Culture and Labor Politics, and is currently writing a book tentatively titled, The Jim Crow Cigarette: Following Tobacco Road from North Carolina to China and Back.
Thursday, February 10, 4:10-6PM
Flavelle House, Room C (basement)
78 Queen’s Park Crescent
Ian Shapiro
On Non-Domination
Organized by the Department of Political Science, and co-sponsored by the Centre for the Study of the United States, University of Toronto.
Ian Shapiro is Sterling Professor of Political Science at Yale University, where he also serves as Henry R. Luce Director of the MacMillan Center for International and Area Studies. He has written widely and influentially on democracy, justice, and the methods of social inquiry. A native of South Africa, he received his J.D. from the Yale Law School, and his Ph.D from the Yale Political Science Department where he has taught since 1984 and served as chair from 1999 to 2004. Shapiro is a fellow of the American Academy of Arts and Sciences and the American Philosophical Society, and a member of the Council on Foreign Relations. He is a past fellow of the Carnegie Corporation, the Guggenheim Foundation, and the Center for Advanced Study in the Behavioral Sciences. His most recent books are: The Flight From Reality in the Human Sciences; Death by a Thousand Cuts: The Fight Over Taxing Inherited Wealth (with Michael Graetz); and Containment: Rebuilding a Strategy against Global Terror. His current research concerns the relations between democracy and the distribution of income and wealth.
Friday, February 11, 4-6 pm
Room 208N, Munk
William Warner
Protocols of Liberty: Committees, Declarations, Networks,
and the American Revolution
Co-sponsored by the Department of English, University of Toronto.
William Warner is a Professor in the English Department at the University of California, Santa Barbara, where he has taught since 1997. He has also taught at the State University of New York, Buffalo. Prof. Warner received his Ph.D. from Johns Hopkins University in 1977. He is the author of Reading Clarissa: The Struggles of Interpretation (1979); Chance and the Text of Experience: Freud, Nietzsche and Shakespeare’s Hamlet (1986); and Licensing Entertainment: the Elevation of Novel Reading in Eighteenth Century Britain (1998). Professor Warner is currently at work on the Transcriptions Project, and has edited, with Clifford Siskin, This is Enlightenment, forthcoming in 2010 with U. of Chicago Press. He is a participant in the the UC Transliteracies Project, and is currently writing a book on the American Revolution.
Tuesday, February 15, 4:30-6:00 pm
Room UC140, University College
Matthew Brower
Developing Animals: Wildlife and Early American Photography
Co-sponsored by University of Toronto Art Centre, and the Faculty of Information.
Matthew Brower is a lecturer in Museum Studies in the Faculty of Information at the University of Toronto, and the Curator of the University of Toronto Art Centre. As curator of UTAC, he has curated shows on Canadian painting, the conceptual furniture of Gord Peteran, and the video work of Mieke Bal. He co-curated The Brothel Without Walls, a primary exhibition for CONTACT 2010, which explored contemporary photography through the lens of Marshall McLuhan’s thought. He is currently co-curating an exhibition on the articulation of a feminist aesthetics of beauty in the work of Suzy Lake for 2011. His research explores the production and circulation of images in North American culture focusing on the question of how images function. He is particularly interested in images that occupy the intersections of art, science, and technology, and has largely pursued these interests through the representation of nature and the figure of the animal. He has published on twentieth-century Canadian art and visual culture, and 19th- and 20th-century American visual culture.
There will be a book launch following the talk, from 6-8 pm, in the University of Toronto Art Centre.
*Please Note: This event is completely sold out.*
Tuesday, February 15, 5:30-7:30 pm
Vivian and David Campbell Conference Facility
Munk School of Global Affairs
In Conversation with Brian Stewart:
Part I – Canada and Afghanistan (Brigadier-General Jonathan Vance)
Part II – Obama Watch: Historians Review the Obama Foreign Policy Record
Co-sponsored by Canada Centre for Global Security Studies, University of Toronto.
Participants - Part I:
Brigadier-General Jonathan Vance (Chief of Staff Land Strategy, Canadian Armed Forces)
Brian Stewart (Former foreign affairs reporter and senior correspondent for CBC TV News, Distinguished Senior Fellow at the Munk School of Global Affairs.)
Participants - Part II:
John Milton Cooper (Professor-Emeritus, Department of History, University of Wisconsin-Madison);
Robert Bothwell (May Gluskin Chair in Canadian History; Director of the International Relations Program, Professor of History, University of Toronto);
Ronald W. Pruessen (Deputy Director-International Partnerships, Munk School of Global Affairs, and Department of History, University of Toronto).
Moderator: Brian Stewart (Former foreign affairs reporter and senior correspondent for CBC TV News, Distinguished Senior Fellow at the Munk School of Global Affairs.)
Wednesday, February 16, 11 am-1:00 pm
Room 108N
John Milton Cooper
Woodrow Wilson:
The Intellectual in Politics -- and the Political Intellectual in the Global Arena
Co-sponsored by Canada Centre for Global Security Studies.
John Milton Cooper, Jr., is a historian, author, and Professor-Emeritus at the University of Wisconsin-Madison. His specialization is late 19th and early 20th century American history. He is the author of Breaking the Heart of the World: Wilson and the Fight for the League of Nations and The Warrior and the Priest: Woodrow Wilson and Theodore Roosevelt, among other books. His newest publication is “Woodrow Wilson: A Biography.” Cooper was recently a fellow at the Woodrow Wilson International Center for Scholars in Washington, D.C.
Wednesday, March 2, 2-4 pm
Room 208N, Munk
Joseph Masco
Atomic Cinema: The National Security Archive
Co-sponsored by the Department of Anthropology, University of Toronto.
Joseph Masco is an Associate Professor at the University of Chicago, where he teaches anthropology and science studies. He is the author of The Nuclear Borderlands: The Manhattan Project in Post-Cold War New Mexico (2006, Princeton University Press), which won the 2008 Rachel Carson Prize from the Society for Social Studies of Science and was co-winner of the 2006 Robert Merton Prize from the American Sociology Association. Recent publications include:"Sensitive but Unclassified: Secrecy and the Counter-terrorist State" in Public Culture, "Bad Weather: On Planetary Crisis" in Social Studies of Science, and "Survival Is Your Business: Engineering Ruins and Affect in Nuclear America" in Cultural Anthropology.
Friday, March 4, 2-4 pm
Room 108N, Munk
Neferti Tadiar
Citizen-Man: Medium of Democracy
Co-sponsored by Women and Gender Studies, and the Asian Institute, Centre for Southeast Asian Studies, University of Toronto.
Neferti Tadiar is Professor and Chair of Women's Studies at Barnard College. Her academic interests include transnational and third world feminisms; postcolonial theory; critical theories of race and subjectivity; literary and social theory; cultural studies of the Asia Pacific region; and Philippine studies. Her work concerns the role of cultural practice and social imagination in the production of wealth, power, marginality and liberatory movements in the context of global relations. While her research focuses on contemporary Philippine and Filipino cultures and their relation to political and economic change, she addresses, more broadly, questions of gender, race, and sexuality in discourses and material practices of nationalism, transnationalism, and globalization. She is currently working on a book-project entitled: Discourse on Empire: Living Under the Rule of Permanent War, and beginning a new research project entitled Schooling National Subjects: Experience and Education in US Colonial Philippines. Her books include: Things Fall Away: Philippine Literatures, Historical Experience and Tangential Makings of Globality ; Beyond the Frame: Women of Color and Visual Representation, co-edited with Angela Y. Davis; and Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order. She is winner of the Philippine National Book Award (2005).
This is a private reception for University of Toronto Faculty members, American Studies and English department undergraduate and graduate students, and invited guests.
Wednesday, March 9, 4-5:30 pm
Vivian and David Campbell Facility
Munk School of Global Affairs
Sarah Wilson
Book Launch:
Melting-Pot Modernism
Between 1891 and 1920, more than eighteen million immigrants entered the United States. While many Americans responded to this influx by proposing immigration restriction or large-scale "Americanization" campaigns, a few others adopted the image of the melting pot to oppose such measures. These Progressives imagined assimilation as a multidirectional process, in which both native-born and immigrants contributed their cultural gifts to a communal fund. Melting-Pot Modernism reveals the richly aesthetic nature of assimilation at the turn of the twentieth century, focusing on questions of the individual's relation to culture, the protection of vulnerable populations, the sharing of cultural heritages, and the far-reaching effects of free-market thinking. Exploring the depth and nuance of an earlier moment's commitment to cultural inclusiveness, Melting-Pot Modernism gives new meaning to American struggles to imaginatively encompass difference—and to the central place of literary interpretation in understanding such struggles.
Sarah Wilson is an Associate Professor in the Department of English at the University of Toronto. Her research focuses on American literature of the turn of the twentieth century, taking up the aesthetic and political questions posed by immigration, cosmopolitanism, and political reform.
Copies of the publication will be available for sale.
Wednesday, March 9, 5:30-7:30 pm
Jackman Humanities Institute, Room 100
Carol Mavor
Blue is the Colour of Impossible Mourning: a Bower, a Sweet, and a Crystal
Co-sponsored by the Centre for Comparative Literature, University of Toronto.
Carol Mavor is Professor of Art History and Visual Studies at the University of Manchester, England. Mavor is the author of several books: Reading Boyishly: Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott (Duke UP, 2007); Becoming: The Photographs of Clementina, Viscountess, Hawarden (Duke UP, 1999); Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs (Duke UP, 1995); and Black and Blue: The Bruising of "Camera Lucida," "La Jetée," "Sans Soleil," and "Hiroshima mon amour" is forthcoming from Duke UP (2011). Her essays have appeared in Cabinet Magazine. Art History, Photography and Culture, Photographies, as well as edited volumes, including Geoffrey Batchen’s Photography Degree Zero and Mary Sheriff’s Cultural Contact and the Making of European Art. Her most recent published essay is on the French child-poet Minou Drouet. Mavor’s writing has been widely reviewed in publications in the US and UK, including the Times Literary Supplement, the Los Angeles Times, and The Village Voice. She has lectured broadly in the US and the UK, including The Photographers’ Gallery (London), University of Cambridge, Duke University, and the Royal College of Art. For 2010-2011, Mavor was named the Northrop Frye Chair in Literary Theory at the University of Toronto. Currently, Mavor is completing Blue Mythologies: A Study of the Hue of Blue (forthcoming from Reaktion in 2012).
This lecture is free and open to the public. Registration is not required.
Thursday, March 10, 4-6 pm
Room 208N, Munk
Faye Ginsburg
Screening Disabilities: Visual Fields, Public Culture, and the Atypical Mind
in the 21st Century
Co-sponsored by the Department of Anthropology, and Cinema Studies Institute, Innis College, University of Toronto.
Faye Ginsburg is David B. Kriser Professor of Anthropology at New York University. She is the director of the Center for Media, Culture, and History, and Co-Director of the NYU Council for the Study of Disabilities. Her work over the years as a filmmaker, writer, and curator has focused on movements for social transformation, and the key role played by cultural activists in these processes, from her multiple award-winning book, Contested Lives: The Abortion Debate in an American Community, to her several edited collections on reproduction and gender, to her groundbreaking collection, Media Worlds: Anthropology on New Terrain, to her forthcoming book, Mediating Culture: Indigenous Media in a Digital Age. Ginsburg is recipient of numerous grants including the MacArthur, Guggenheim, Spencer, Rockefeller, and Ford Foundations, and the Pew Charitable Trusts.
Thursday, March 10, 5:30-7:30 pm
Jackman Humanities Institute, Room 100
Carol Mavor
Blue is a Colour Where it is Hard to Find Anything Missing: the Aran Islands, Venice, the Cyanotype, and Agnes Varda’s Le Bonheur
Co-sponsored by the Centre for Comparative Literature, University of Toronto.
Carol Mavor is Professor of Art History and Visual Studies at the University of Manchester, England. Mavor is the author of several books: Reading Boyishly: Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott (Duke UP, 2007); Becoming: The Photographs of Clementina, Viscountess, Hawarden (Duke UP, 1999); Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs (Duke UP, 1995); and Black and Blue: The Bruising of "Camera Lucida," "La Jetée," "Sans Soleil," and "Hiroshima mon amour" is forthcoming from Duke UP (2011). Her essays have appeared in Cabinet Magazine. Art History, Photography and Culture, Photographies, as well as edited volumes, including Geoffrey Batchen’s Photography Degree Zero and Mary Sheriff’s Cultural Contact and the Making of European Art. Her most recent published essay is on the French child-poet Minou Drouet. Mavor’s writing has been widely reviewed in publications in the US and UK, including the Times Literary Supplement, the Los Angeles Times, and The Village Voice. She has lectured broadly in the US and the UK, including The Photographers’ Gallery (London), University of Cambridge, Duke University, and the Royal College of Art. For 2010-2011, Mavor was named the Northrop Frye Chair in Literary Theory at the University of Toronto. Currently, Mavor is completing Blue Mythologies: A Study of the Hue of Blue (forthcoming from Reaktion in 2012).
This lecture is free and open to the public. Registration is not required.
Thursday, March 10, 7-9 pm
Innis Town Hall, 2 Sussex Ave.
Film Screening:
Freedom Riders
Written, Directed, and Produced by Stanley Nelson
Co-sponsored by Caribbean Studies, New College; Cinema Studies Institute, Innis College; Sociology and Equity Studies; Diaspora and Transnational Studies; Department of History; and Canadian Studies, University College, at the University of Toronto.
Nominated for the 2011 American Writers Guild Award for Best Documentary Screenplay
Based in part on the book: Freedom Riders: 1961 and the Struggle for Racial Justice, By Raymond Arsenault
Official Selection: Sundance Film Festival 2010; Full Frame Documentary Film Festival 2010.
Powerful and often harrowing, Freedom Riders dramatically captures the journey that changed America forever. In 1961, more than four hundred activists risked their lives by traveling together on buses and trains through the Deep South to end segregation. Filmmaker Stanley Nelson interviews many of the surviving riders whose non-violent beliefs were sorely tested by hostility, mob violence, and virulent racism. This ultimately triumphant story features testimony from the Riders themselves, state and federal government officials, and journalists who witnessed the rides firsthand.
Director Stanley Nelson will be in attendance.
For more information about Marcus Garvey & Freedom Riders, visit:
http://firelightmedia.org/about/our-team/stanley-nelson/stanley-nelson/
Friday, March 11, 6-8 pm
Sidney Smith Hall
100 St. George Street, Room 2102
Film Screening:
Marcus Garvey: Look for Me in the Whirlwind
Directed by Stanley Nelson
Co-sponsored by Caribbean Studies, New College; Cinema Studies Institute, Innis College; Sociology and Equity Studies; Diaspora and Transnational Studies; Department of History; and Canadian Studies, University College, at the University of Toronto.
“In death, I shall be a terror to the foes of Negro liberty. Look for me in the whirlwind or the song of the storm; look for me all around you." - Marcus Garvey
Marcus Garvey: Look for me in the Whirlwind uses a wealth of archival film, photographs, and documents to uncover the story of this Jamaican immigrant, who between 1916 and 1921 built the largest black mass movement in world history. It explores Garvey's dramatic successes and failures before his fall into obscurity. Among the film's most powerful sequences are interviews with people who were part of the Garvey movement decades ago. These interviews communicate the appeal of Garvey's revolutionary ideas to a generation of African Americans, and reveal how he invested hundreds and thousands of black men and women with a newfound sense of pride.
Followed by a Panel Discussion with:
Stanley Nelson, Director
Robert Hill, Professor of History, UCLA and Editor, The Marcus Garvey and UNIA Papers
For more information about Marcus Garvey & Freedom Riders, visit:
http://firelightmedia.org/about/our-team/stanley-nelson/stanley-nelson/
Friday, March 18, 9 am – 6 pm
Northrop Frye 003
7th Annual HAPSAT Conference:
The Regimen of Bodily Health: Nutrition and Natural Knowledge
Co-sponsored by: Institute for the History & Philosophy of Science & Technology; Science & Culture Working Group, Jackman Humanities Institute; Department of Philosophy; Dalla Lana School of Public Health Students’ Association; and the Graduate Student Union.
Keynote:
The Long History of Dietetics:Thinking about Food, Expertise, and the Self
Steven Shapin
Franklin L. Ford Professor of the History of Science, Harvard University
Registration is required to attend this conference. To Register for this Conference please go to the website:
wwww.hps.utoronto.ca/hapsa
March 23, 2011, 7:00 pm
East Common Room, Hart House
7 Hart House Circle, University of Toronto
Paul Robeson: The Tallest Tree in Our Forest
Co-sponsored by Hart House, the Centre for the Study of the United States, Munk School of Global Affairs, and Access and Diversity Unit in Parks Forestry and Recreation (City of Toronto).
We must join with the tens of millions all over the world who see in peace our most sacred responsibility.
In celebration of the UN Day for the Elimination of Racial Discrimination, Hart House, the Centre for the Study of the United States, Munk School of Global Affairs, and Access and Diversity Unit in Parks Forestry and Recreation (City of Toronto) present Paul Robeson: The Tallest Tree in Our Forest, Challenging Race and Class within Toronto's Multicultural Framework.
Four panelists, each speaking from a different perspective, will address the importance of actor-turned-civil rights leader Paul Robeson's work both locally and abroad and will relate these achievements within the context of Toronto.The panel discussion will focus on Robeson's approach to race and class during the 1930s and 40s, and the relevance of his achievements around current dialogue on the limits of multiculturalism following the release of recent reports indicating that Toronto is becoming an increasingly segregated community along the lines of race, ethnicity, and class. A screening of the 8-minute film The Tallest Tree in Our Forest, chronicling the larger than life personality and relevance of Paul Robeson, will precede the panel discussion, along with the presentation of a proclamation signed by Mayor Rob Ford.
"Paul Robeson epitomizes the essence of diveristy yet he is largely misunderstood and not acknowdged and this has to be corrected. The City's commitment to diversity and City Council's official celebration of the date of Robeson's birth is a strong indication that equity and diversity are major priorities for the City of Toronto," says Ken Jeffers, City of Toronto Manager, Access and Diversity, Parks Forestry and Recreation.
Panelists include:
Ken Jeffers, City of Toronto Manager, Access and Diversity, Parks Forestry and Recreation
Norm Kelly, Writer and Playwright
Lee Lorch, Civil rights activist and York Professor Emeritus
Rathika Sitsabaiesan, Scarborough-Rouge River Federal NDP Candidate
Cost: Free
For more information, please contact:
Zoe Dille, 416.978.5362 or zoe.dille@harthouse.ca
Friday, March 25, 2-4 pm
Room 208N, Munk
Ruth Wilson Gilmore
"Gender Responsive" Prison Expansion, or Notes on a Rout and Hope for a Route
Co-sponsored by the Department of Geography, University of Toronto.
Ruth Wilson Gilmore is Professor of Earth and Environmental Sciences at the City University of New York Graduate Center. She received a BA and MFA in Dramatic Literature and Criticism from Yale, and a PhD in Geography from Rutgers. In addition to Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California (University of California Press, 2007), recent publications include "Race, Prisons, and War: Scenes from the History of U.S. Violence" (in Leo Panitch and Colin Leys, eds., Violence Today: Actually existing Barbarism, London: Merlin Press, 2009), and "Forgotten Places and the Seeds of Grassroots Planning" (in Charles R. Hale, ed., Engaging Contradictions, University of California Press, 2008). At the University of Southern California as director of the program in American Studies and Ethnicity, she saw the unit through to departmentalization, serving as its first chair. A member of the board of the Economic Roundtable, Gilmore is also a founding member of the anti-prison groups California Prison Moratorium Project and Critical Resistance, and a founding member and past-president of the Central California Environmental Justice Network. Awards include an NEA Grant, a Soros Senior Justice Fellowship, the James Blaut Award for Critical Geography, the Ralph Santiago Abascal Award for Economic and Environmental Justice, a Mellon Award for Excellence in Mentoring Graduate Students, and the Lora Romero Best Book Prize. Gilmore is president of the American Studies Association.
NEW LOCATION:
Jackman Humanities Institute
170 St. George Street, Room 100A
(at Bloor St.)
Tim Dean
Obscene, On/Scene, the 'Other Scene': An Ethics of Looking at Pornography
Co-sponsored by the Department of Art, University of Toronto, and Department of Visual Studies, UTM.
Tim Dean is Director of the Humanities Institute and Professor of English at the University at Buffalo. Tim Dean is the author of several books, including: Unlimited Intimacy: Reflections on the Subculture of Barebacking (University of Chicago, 2009); Beyond Sexuality (Chicago, 2000); the co-editor of Homosexuality and Psychoanalysis (with Christopher Lane, Chicago, 2001); and the forthcoming Porn Archives (with Steven Ruszczycky and David Squires, Duke, 2012).
Friday. April 1, 2-4 pm
Room 208N, Munk
Odd Arne Westad
The Shock of the Global: The United States and the Origins of Globalisation
Co-Sponsored by the Centre for International Studies, University of Toronto.
Odd Arne Westad is Professor of International History at the London School of Economics and Political Science (LSE), and an expert on the history of the Cold War era and on contemporary international affairs. He co-directs LSE IDEAS, a centre for international affairs, diplomacy and strategy, is an editor of the journal Cold War History, and is an editor of the forthcoming three-volume Cambridge History of the Cold War. Professor Westad lectures widely on China's foreign affairs, on Western interventions in Africa and Asia, and on foreign policy strategy. His most recent book, The Global Cold War: Third World Interventions and the Making of Our Times, received the Bancroft Prize, the Michael Harrington Award, and the Akira Iriye International History Book Award, which has been translated into fourteen languages. He is now working on a history of Chinese foreign affairs since 1750.
Thursday, April 7, 2-4 pm
Room 208N, Munk
Lisa Lowe
Free Labour, Free Trade: Coolies, Opium, and the Intimacies of Four Continents
Co-sponsored by Diaspora and Transnational Studies, and the Asian Institute, University of Toronto.
Lisa Lowe is a noted scholar in the fields of comparative literature, American studies, Asian American studies, and the cultural politics of colonialism and migration. She is currently Visiting Professor of American Studies at Yale University. Lowe is the author of Critical Terrains: French and British Orientalisms, and Immigrant Acts: On Asian American Cultural Politics, in which she examines the historical, political, cultural and aesthetic meanings of immigration in relation to Asian Americans. She is coeditor of The Politics of Culture in the Shadow of Capital, a collection of essays on international cultural studies, and has published numerous articles and essays. A third book, Metaphors of Globalization, is forthcoming. Her current project, The Intimacies of Four Continents, is a study of the convergence of colonialisms in the early Americas as the conditions for modern humanism and humanistic knowledge. In her presentation, she will share a part of that project that examines the 'forgetting' of Asian indentured labour, native-descendant peoples, and African slavery within modern European liberal discourses of freedom, and its 'return' in gendered racial taxonomies that persist within the humanities today. Lowe studied European intellectual history at Stanford University, and French literature and critical theory at UC Santa Cruz.
All events are free and open to the public. Registration is encouraged via http://webapp.mcis.utoronto.ca/Events.aspx
(Please Note: registration does not guarantee a space, which is available on a "first come, first served" basis.)
Fall 2010