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SPEAKER SERIES 2010-2011

Winter 2011


Thursday, January 20, 4:15-7:00 pm
Room 208N, Munk


Ann Komaromi

Samizdat: Material Texts and Extra-Gutenberg Publics

Organized by the Toronto Centre for the Book, University of Toronto, and co-sponsored by the Centre for the Study of the United States.

Ann Komaromi is Assistant Professor at the Centre for Comparative Literature. Komaromi's interests include the avant-garde in literature and visual arts, the Russian novel, Soviet nonconformist art, and dissidence. A significant portion of her research has been focused on late Soviet writing and publishing, especially the Samizdat text and alternative textual culture. Her publications include an article on "The Material Existence of Soviet Samizdat" (Slavic Review, 2004), "The Unofficial Field of Late Soviet Culture" (Slavic Review, 2007), and "Samizdat as Extra-Gutenberg Phenomenon" (Poetics Today, 2009). Komaromi was awarded a SSHRC (Social Sciences and Humanities Research Council) grant in 2006 for the study of uncensored texts of the late Soviet period. This grant contributed to work on current projects, including a catalogue and history of Soviet Samizdat periodical editions. She is also working on a book manuscript about Samizdat and uncensored novels of the late Soviet period.

Friday, January 21, 2-4 pm
Room 208N, Munk

 

Marc Stein

The U.S. Supreme Court's Sexual Revolution? Sex, Marriage, and Reproduction from Griswold to Roe

Co-sponsored by Sexual Diversity Studies, and The Constitutional Roundtable, University of Toronto Faculty of Law.
 
Marc Stein is Associate Professor of History, Women's Studies, and Sexuality Studies at York University, Toronto. He is the author of City of Sisterly and Brotherly Loves: Lesbian and Gay Philadelphia, 1945-1972 (University of Chicago Press, 2000); the editor-in-chief of the award-winning Encyclopedia of Lesbian, Gay, Bisexual, and Transgender History in America (Scribers, 2003); and the author of the new monograph, Sexual Injustice: Supreme Court Decisions from Griswold to Roe (University of North Carolina Press, 2010).
 
Copies of this publication will be available for sale following the lecture.

Friday, Jananuary 28, 2-4 pm
Room 208N, Munk

 

Lane Relyea

CSI vs. DIY: Photography Between Aftermath and Aftermarket

Co-sponsored by the Department of Art, University of Toronto.
Lane Relyea is a Professor of Art History, Northwestern University. Relyea received his Ph.D. in Art History from the University of Texas at Austin in 2004. Since 1983, his essays and reviews have appeared in numerous magazines including: Artforum, Parkett, Frieze, Art in America, and Flash Art. He has also written recent monographs on Polly Apfelbaum, Richard Artschwager, Jeremy Blake, Vija Celmins, Toba Khedoori, Monique Prieto, and Wolfgang Tillmans, among others, and contributed to such exhibition catalogues as Public Offerings, and Helter Skelter (both Museum of Contemporary Art, Los Angeles, 2001 and 1992, respectively). From 1987 to 1991, he served as editor of Artpaper, a monthly art magazine based in Minneapolis. After teaching for a decade at the California Institute of the Arts in Valencia, where he joined the faculty in 1991, he was appointed director of the Core Program and Art History at the Glassell School of Art in Houston, Texas, in the summer of 2001.

Friday, February 4, 2-4 pm
Vivian and David Campbell Facility
Munk School of Global Affairs

 

Saidiya Hartman

The Seventh Ward and the Studio

Co-sponsored by the Department of English, and Diaspora and Transnational Studies, University of Toronto.
 
Saidiya Hartman is Professor of English and Comparative Literature, and Women's and Gender Studies at Columbia University. Professor Hartman's major fields of interest are African-American and American literature and cultural history, slavery, law and literature, and performance studies. She is on the editorial board of Callaloo. She has been a Fulbright, Rockefeller, Whitney Oates, and University of California President's Fellow. She is the author of: Scenes of Subjection: Terror, Slavery, and Self-making in Nineteenth Century America; and, Lose Your Mother: A Journey Along the Atlantic Slave Route. She has published essays on photography, film, and feminism, and is beginning a new project on photography and ethics.

Thursday, February 10, 2-4 pm
Room 208N, Munk

Nan Enstad

American Dreamers and Global Cigarettes:
Seeing the Corporation as an Art Form

 
Nan Enstad is Associate Professor of History at the University of Wisconsin, Madison. She is the author of Ladies of Labor, Girls of Adventure: Working Women, Popular Culture and Labor Politics, and is currently writing a book tentatively titled, The Jim Crow Cigarette: Following Tobacco Road from North Carolina to China and Back.

Thursday, February 10, 4:10-6PM
Flavelle House, Room C (basement)
78 Queen’s Park Crescent


Ian Shapiro

On Non-Domination

Organized by the Department of Political Science, and co-sponsored by the Centre for the Study of the United States, University of Toronto.

Ian Shapiro is Sterling Professor of Political Science at Yale University, where he also serves as Henry R. Luce Director of the MacMillan Center for International and Area Studies. He has written widely and influentially on democracy, justice, and the methods of social inquiry. A native of South Africa, he received his J.D. from the Yale Law School, and his Ph.D from the Yale Political Science Department where he has taught since 1984 and served as chair from 1999 to 2004. Shapiro is a fellow of the American Academy of Arts and Sciences and the American Philosophical Society, and a member of the Council on Foreign Relations. He is a past fellow of the Carnegie Corporation, the Guggenheim Foundation, and the Center for Advanced Study in the Behavioral Sciences. His most recent books are: The Flight From Reality in the Human Sciences; Death by a Thousand Cuts: The Fight Over Taxing Inherited Wealth (with Michael Graetz); and Containment: Rebuilding a Strategy against Global Terror. His current research concerns the relations between democracy and the distribution of income and wealth.

Friday, February 11, 4-6 pm
Room 208N, Munk



William Warner

Protocols of Liberty: Committees, Declarations, Networks,
and the American Revolution

Co-sponsored by the Department of English, University of Toronto.
William Warner is a Professor in the English Department at the University of California, Santa Barbara, where he has taught since 1997. He has also taught at the State University of New York, Buffalo. Prof. Warner received his Ph.D. from Johns Hopkins University in 1977. He is the author of Reading Clarissa: The Struggles of Interpretation (1979); Chance and the Text of Experience: Freud, Nietzsche and Shakespeare’s Hamlet (1986); and Licensing Entertainment: the Elevation of Novel Reading in Eighteenth Century Britain (1998). Professor Warner is currently at work on the Transcriptions Project, and has edited, with Clifford Siskin, This is Enlightenment, forthcoming in 2010 with U. of Chicago Press. He is a participant in the the UC Transliteracies Project, and is currently writing a book on the American Revolution.

Tuesday, February 15, 4:30-6:00 pm
Room UC140, University College


Matthew Brower

Developing Animals: Wildlife and Early American Photography

Co-sponsored by University of Toronto Art Centre, and the Faculty of Information.

Matthew Brower is a lecturer in Museum Studies in the Faculty of Information at the University of Toronto, and the Curator of the University of Toronto Art Centre. As curator of UTAC, he has curated shows on Canadian painting, the conceptual furniture of Gord Peteran, and the video work of Mieke Bal. He co-curated The Brothel Without Walls, a primary exhibition for CONTACT 2010, which explored contemporary photography through the lens of Marshall McLuhan’s thought. He is currently co-curating an exhibition on the articulation of a feminist aesthetics of beauty in the work of Suzy Lake for 2011. His research explores the production and circulation of images in North American culture focusing on the question of how images function. He is particularly interested in images that occupy the intersections of art, science, and technology, and has largely pursued these interests through the representation of nature and the figure of the animal. He has published on twentieth-century Canadian art and visual culture, and 19th- and 20th-century American visual culture.
 
There will be a book launch following the talk, from 6-8 pm, in the University of Toronto Art Centre.

*Please Note: This event is completely sold out.*

Tuesday, February 15, 5:30-7:30 pm
Vivian and David Campbell Conference Facility
Munk School of Global Affairs


In Conversation with Brian Stewart:

Part I – Canada and Afghanistan (Brigadier-General Jonathan Vance)
Part II – Obama Watch: Historians Review the Obama Foreign Policy Record

Co-sponsored by Canada Centre for Global Security Studies, University of Toronto.
 
Participants - Part I:
Brigadier-General Jonathan Vance (Chief of Staff Land Strategy, Canadian Armed Forces)
Brian Stewart (Former foreign affairs reporter and senior correspondent for CBC TV News, Distinguished Senior Fellow at the Munk School of Global Affairs.)
Participants - Part II:
John Milton Cooper (Professor-Emeritus, Department of History, University of Wisconsin-Madison);
Robert Bothwell (May Gluskin Chair in Canadian History; Director of the International Relations Program, Professor of History, University of Toronto);
Ronald W. Pruessen (Deputy Director-International Partnerships, Munk School of Global Affairs, and Department of History, University of Toronto).
Moderator: Brian Stewart (Former foreign affairs reporter and senior correspondent for CBC TV News, Distinguished Senior Fellow at the Munk School of Global Affairs.)

Wednesday, February 16, 11 am-1:00 pm
Room 108N


John Milton Cooper

Woodrow Wilson:
The Intellectual in Politics -- and the Political Intellectual in the Global Arena

Co-sponsored by Canada Centre for Global Security Studies.

John Milton Cooper, Jr., is a historian, author, and Professor-Emeritus at the University of Wisconsin-Madison. His specialization is late 19th and early 20th century American history. He is the author of Breaking the Heart of the World: Wilson and the Fight for the League of Nations and The Warrior and the Priest: Woodrow Wilson and Theodore Roosevelt, among other books. His newest publication is “Woodrow Wilson: A Biography.” Cooper was recently a fellow at the Woodrow Wilson International Center for Scholars in Washington, D.C.

Wednesday, March 2, 2-4 pm
Room 208N, Munk



Joseph Masco

Atomic Cinema: The National Security Archive

Co-sponsored by the Department of Anthropology, University of Toronto.
 
Joseph Masco is an Associate Professor at the University of Chicago, where he teaches anthropology and science studies. He is the author of The Nuclear Borderlands: The Manhattan Project in Post-Cold War New Mexico (2006, Princeton University Press), which won the 2008 Rachel Carson Prize from the Society for Social Studies of Science and was co-winner of the 2006 Robert Merton Prize from the American Sociology Association. Recent publications include:"Sensitive but Unclassified: Secrecy and the Counter-terrorist State" in Public Culture, "Bad Weather: On Planetary Crisis" in Social Studies of Science, and "Survival Is Your Business: Engineering Ruins and Affect in Nuclear America" in Cultural Anthropology.

Friday, March 4, 2-4 pm
Room 108N, Munk



Neferti Tadiar

Citizen-Man: Medium of Democracy

Co-sponsored by Women and Gender Studies, and the Asian Institute, Centre for Southeast Asian Studies, University of Toronto.
 
 
Neferti Tadiar is Professor and Chair of Women's Studies at Barnard College. Her academic interests include transnational and third world feminisms; postcolonial theory; critical theories of race and subjectivity; literary and social theory; cultural studies of the Asia Pacific region; and Philippine studies. Her work concerns the role of cultural practice and social imagination in the production of wealth, power, marginality and liberatory movements in the context of global relations. While her research focuses on contemporary Philippine and Filipino cultures and their relation to political and economic change, she addresses, more broadly, questions of gender, race, and sexuality in discourses and material practices of nationalism, transnationalism, and globalization. She is currently working on a book-project entitled: Discourse on Empire: Living Under the Rule of Permanent War, and beginning a new research project entitled Schooling National Subjects: Experience and Education in US Colonial Philippines. Her books include: Things Fall Away: Philippine Literatures, Historical Experience and Tangential Makings of Globality ; Beyond the Frame: Women of Color and Visual Representation, co-edited with Angela Y. Davis; and Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order. She is winner of the Philippine National Book Award (2005).

This is a private reception for University of Toronto Faculty members, American Studies and English department undergraduate and graduate students, and invited guests.

Wednesday, March 9, 4-5:30 pm
Vivian and David Campbell Facility
Munk School of Global Affairs

 

 

Sarah Wilson

Book Launch:
Melting-Pot Modernism

 
Between 1891 and 1920, more than eighteen million immigrants entered the United States. While many Americans responded to this influx by proposing immigration restriction or large-scale "Americanization" campaigns, a few others adopted the image of the melting pot to oppose such measures. These Progressives imagined assimilation as a multidirectional process, in which both native-born and immigrants contributed their cultural gifts to a communal fund. Melting-Pot Modernism reveals the richly aesthetic nature of assimilation at the turn of the twentieth century, focusing on questions of the individual's relation to culture, the protection of vulnerable populations, the sharing of cultural heritages, and the far-reaching effects of free-market thinking. Exploring the depth and nuance of an earlier moment's commitment to cultural inclusiveness, Melting-Pot Modernism gives new meaning to American struggles to imaginatively encompass difference—and to the central place of literary interpretation in understanding such struggles.

Sarah Wilson is an Associate Professor in the Department of English at the University of Toronto. Her research focuses on American literature of the turn of the twentieth century, taking up the aesthetic and political questions posed by immigration, cosmopolitanism, and political reform.
 
Copies of the publication will be available for sale.

Wednesday, March 9, 5:30-7:30 pm
Jackman Humanities Institute, Room 100

 


Carol Mavor

Blue is the Colour of Impossible Mourning: a Bower, a Sweet, and a Crystal

Co-sponsored by the Centre for Comparative Literature, University of Toronto.
Carol Mavor is Professor of Art History and Visual Studies at the University of Manchester, England. Mavor is the author of several books: Reading Boyishly: Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott (Duke UP, 2007); Becoming: The Photographs of Clementina, Viscountess, Hawarden (Duke UP, 1999); Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs (Duke UP, 1995); and Black and Blue: The Bruising of "Camera Lucida," "La Jetée," "Sans Soleil," and "Hiroshima mon amour" is forthcoming from Duke UP (2011). Her essays have appeared in Cabinet Magazine. Art History, Photography and Culture, Photographies, as well as edited volumes, including Geoffrey Batchen’s Photography Degree Zero and Mary Sheriff’s Cultural Contact and the Making of European Art. Her most recent published essay is on the French child-poet Minou Drouet. Mavor’s writing has been widely reviewed in publications in the US and UK, including the Times Literary Supplement, the Los Angeles Times, and The Village Voice. She has lectured broadly in the US and the UK, including The Photographers’ Gallery (London), University of Cambridge, Duke University, and the Royal College of Art. For 2010-2011, Mavor was named the Northrop Frye Chair in Literary Theory at the University of Toronto. Currently, Mavor is completing Blue Mythologies: A Study of the Hue of Blue (forthcoming from Reaktion in 2012).
 
This lecture is free and open to the public. Registration is not required.

Thursday, March 10, 4-6 pm
Room 208N, Munk



Faye Ginsburg

Screening Disabilities: Visual Fields, Public Culture, and the Atypical Mind
in the 21st Century

Co-sponsored by the Department of Anthropology, and Cinema Studies Institute, Innis College, University of Toronto.
 
 
Faye Ginsburg is David B. Kriser Professor of Anthropology at New York University. She is the director of the Center for Media, Culture, and History, and Co-Director of the NYU Council for the Study of Disabilities. Her work over the years as a filmmaker, writer, and curator has focused on movements for social transformation, and the key role played by cultural activists in these processes, from her multiple award-winning book, Contested Lives: The Abortion Debate in an American Community, to her several edited collections on reproduction and gender, to her groundbreaking collection, Media Worlds: Anthropology on New Terrain, to her forthcoming book, Mediating Culture: Indigenous Media in a Digital Age. Ginsburg is recipient of numerous grants including the MacArthur, Guggenheim, Spencer, Rockefeller, and Ford Foundations, and the Pew Charitable Trusts.

Thursday, March 10, 5:30-7:30 pm
Jackman Humanities Institute, Room 100

 

Carol Mavor

Blue is a Colour Where it is Hard to Find Anything Missing: the Aran Islands, Venice, the Cyanotype, and Agnes Varda’s Le Bonheur

Co-sponsored by the Centre for Comparative Literature, University of Toronto.
Carol Mavor is Professor of Art History and Visual Studies at the University of Manchester, England. Mavor is the author of several books: Reading Boyishly: Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott (Duke UP, 2007); Becoming: The Photographs of Clementina, Viscountess, Hawarden (Duke UP, 1999); Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs (Duke UP, 1995); and Black and Blue: The Bruising of "Camera Lucida," "La Jetée," "Sans Soleil," and "Hiroshima mon amour" is forthcoming from Duke UP (2011). Her essays have appeared in Cabinet Magazine. Art History, Photography and Culture, Photographies, as well as edited volumes, including Geoffrey Batchen’s Photography Degree Zero and Mary Sheriff’s Cultural Contact and the Making of European Art. Her most recent published essay is on the French child-poet Minou Drouet. Mavor’s writing has been widely reviewed in publications in the US and UK, including the Times Literary Supplement, the Los Angeles Times, and The Village Voice. She has lectured broadly in the US and the UK, including The Photographers’ Gallery (London), University of Cambridge, Duke University, and the Royal College of Art. For 2010-2011, Mavor was named the Northrop Frye Chair in Literary Theory at the University of Toronto. Currently, Mavor is completing Blue Mythologies: A Study of the Hue of Blue (forthcoming from Reaktion in 2012).
 
This lecture is free and open to the public. Registration is not required.

Thursday, March 10, 7-9 pm
Innis Town Hall, 2 Sussex Ave.

 

Film Screening:

Freedom Riders

Written, Directed, and Produced by Stanley Nelson

Co-sponsored by Caribbean Studies, New College; Cinema Studies Institute, Innis College; Sociology and Equity Studies; Diaspora and Transnational Studies; Department of History; and Canadian Studies, University College, at the University of Toronto.
Nominated for the 2011 American Writers Guild Award for Best Documentary Screenplay
Based in part on the book: Freedom Riders: 1961 and the Struggle for Racial Justice, By Raymond Arsenault
Official Selection: Sundance Film Festival 2010; Full Frame Documentary Film Festival 2010.
 
Powerful and often harrowing, Freedom Riders dramatically captures the journey that changed America forever. In 1961, more than four hundred activists risked their lives by traveling together on buses and trains through the Deep South to end segregation. Filmmaker Stanley Nelson interviews many of the surviving riders whose non-violent beliefs were sorely tested by hostility, mob violence, and virulent racism. This ultimately triumphant story features testimony from the Riders themselves, state and federal government officials, and journalists who witnessed the rides firsthand.
 
Director Stanley Nelson will be in attendance.
 
For more information about Marcus Garvey & Freedom Riders, visit:
http://firelightmedia.org/about/our-team/stanley-nelson/stanley-nelson/

Friday, March 11, 6-8 pm
Sidney Smith Hall
100 St. George Street, Room 2102

 

Film Screening:

Marcus Garvey: Look for Me in the Whirlwind
Directed by Stanley Nelson

Co-sponsored by Caribbean Studies, New College; Cinema Studies Institute, Innis College; Sociology and Equity Studies; Diaspora and Transnational Studies; Department of History; and Canadian Studies, University College, at the University of Toronto.
 
“In death, I shall be a terror to the foes of Negro liberty. Look for me in the whirlwind or the song of the storm; look for me all around you." - Marcus Garvey
 
Marcus Garvey: Look for me in the Whirlwind uses a wealth of archival film, photographs, and documents to uncover the story of this Jamaican immigrant, who between 1916 and 1921 built the largest black mass movement in world history. It explores Garvey's dramatic successes and failures before his fall into obscurity. Among the film's most powerful sequences are interviews with people who were part of the Garvey movement decades ago. These interviews communicate the appeal of Garvey's revolutionary ideas to a generation of African Americans, and reveal how he invested hundreds and thousands of black men and women with a newfound sense of pride.
 
Followed by a Panel Discussion with:
Stanley Nelson, Director
Robert Hill, Professor of History, UCLA and Editor, The Marcus Garvey and UNIA Papers
 
For more information about Marcus Garvey & Freedom Riders, visit:
http://firelightmedia.org/about/our-team/stanley-nelson/stanley-nelson/

Friday, March 18, 9 am – 6 pm
Northrop Frye 003


7th Annual HAPSAT Conference:

The Regimen of Bodily Health: Nutrition and Natural Knowledge

Co-sponsored by: Institute for the History & Philosophy of Science & Technology; Science & Culture Working Group, Jackman Humanities Institute; Department of Philosophy; Dalla Lana School of Public Health Students’ Association; and the Graduate Student Union.

Keynote:
The Long History of Dietetics:Thinking about Food, Expertise, and the Self
Steven Shapin
Franklin L. Ford Professor of the History of Science, Harvard University
 
Registration is required to attend this conference. To Register for this Conference please go to the website:
wwww.hps.utoronto.ca/hapsa

March 23, 2011, 7:00 pm
East Common Room, Hart House
7 Hart House Circle, University of Toronto

 

Paul Robeson: The Tallest Tree in Our Forest

Co-sponsored by Hart House, the Centre for the Study of the United States, Munk School of Global Affairs, and Access and Diversity Unit in Parks Forestry and Recreation (City of Toronto).

 

We must join with the tens of millions all over the world who see in peace our most sacred responsibility. In celebration of the UN Day for the Elimination of Racial Discrimination, Hart House, the Centre for the Study of the United States, Munk School of Global Affairs, and Access and Diversity Unit in Parks Forestry and Recreation (City of Toronto) present Paul Robeson: The Tallest Tree in Our Forest, Challenging Race and Class within Toronto's Multicultural Framework.

Four panelists, each speaking from a different perspective, will address the importance of actor-turned-civil rights leader Paul Robeson's work both locally and abroad and will relate these achievements within the context of Toronto.The panel discussion will focus on Robeson's approach to race and class during the 1930s and 40s, and the relevance of his achievements around current dialogue on the limits of multiculturalism following the release of recent reports indicating that Toronto is becoming an increasingly segregated community along the lines of race, ethnicity, and class. A screening of the 8-minute film The Tallest Tree in Our Forest, chronicling the larger than life personality and relevance of Paul Robeson, will precede the panel discussion, along with the presentation of a proclamation signed by Mayor Rob Ford.

"Paul Robeson epitomizes the essence of diveristy yet he is largely misunderstood and not acknowdged and this has to be corrected. The City's commitment to diversity and City Council's official celebration of the date of Robeson's birth is a strong indication that equity and diversity are major priorities for the City of Toronto," says Ken Jeffers, City of Toronto Manager, Access and Diversity, Parks Forestry and Recreation.

Panelists include:
Ken Jeffers, City of Toronto Manager, Access and Diversity, Parks Forestry and Recreation
Norm Kelly, Writer and Playwright
Lee Lorch, Civil rights activist and York Professor Emeritus
Rathika Sitsabaiesan, Scarborough-Rouge River Federal NDP Candidate

Cost: Free

For more information, please contact:
Zoe Dille, 416.978.5362 or zoe.dille@harthouse.ca

Friday, March 25, 2-4 pm
Room 208N, Munk


Ruth Wilson Gilmore

"Gender Responsive" Prison Expansion, or Notes on a Rout and Hope for a Route

Co-sponsored by the Department of Geography, University of Toronto.
 
Ruth Wilson Gilmore is Professor of Earth and Environmental Sciences at the City University of New York Graduate Center. She received a BA and MFA in Dramatic Literature and Criticism from Yale, and a PhD in Geography from Rutgers. In addition to Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California (University of California Press, 2007), recent publications include "Race, Prisons, and War: Scenes from the History of U.S. Violence" (in Leo Panitch and Colin Leys, eds., Violence Today: Actually existing Barbarism, London: Merlin Press, 2009), and "Forgotten Places and the Seeds of Grassroots Planning" (in Charles R. Hale, ed., Engaging Contradictions, University of California Press, 2008). At the University of Southern California as director of the program in American Studies and Ethnicity, she saw the unit through to departmentalization, serving as its first chair. A member of the board of the Economic Roundtable, Gilmore is also a founding member of the anti-prison groups California Prison Moratorium Project and Critical Resistance, and a founding member and past-president of the Central California Environmental Justice Network. Awards include an NEA Grant, a Soros Senior Justice Fellowship, the James Blaut Award for Critical Geography, the Ralph Santiago Abascal Award for Economic and Environmental Justice, a Mellon Award for Excellence in Mentoring Graduate Students, and the Lora Romero Best Book Prize. Gilmore is president of the American Studies Association.

NEW LOCATION:
Jackman Humanities Institute
170 St. George Street, Room 100A
(at Bloor St.)

 

Tim Dean

Obscene, On/Scene, the 'Other Scene': An Ethics of Looking at Pornography

Co-sponsored by the Department of Art, University of Toronto, and Department of Visual Studies, UTM.
Tim Dean is Director of the Humanities Institute and Professor of English at the University at Buffalo. Tim Dean is the author of several books, including: Unlimited Intimacy: Reflections on the Subculture of Barebacking (University of Chicago, 2009); Beyond Sexuality (Chicago, 2000); the co-editor of Homosexuality and Psychoanalysis (with Christopher Lane, Chicago, 2001); and the forthcoming Porn Archives (with Steven Ruszczycky and David Squires, Duke, 2012).

Friday. April 1, 2-4 pm
Room 208N, Munk


Odd Arne Westad

The Shock of the Global: The United States and the Origins of Globalisation

Co-Sponsored by the Centre for International Studies, University of Toronto.
 
Odd Arne Westad is Professor of International History at the London School of Economics and Political Science (LSE), and an expert on the history of the Cold War era and on contemporary international affairs. He co-directs LSE IDEAS, a centre for international affairs, diplomacy and strategy, is an editor of the journal Cold War History, and is an editor of the forthcoming three-volume Cambridge History of the Cold War. Professor Westad lectures widely on China's foreign affairs, on Western interventions in Africa and Asia, and on foreign policy strategy. His most recent book, The Global Cold War: Third World Interventions and the Making of Our Times, received the Bancroft Prize, the Michael Harrington Award, and the Akira Iriye International History Book Award, which has been translated into fourteen languages.  He is now working on a history of Chinese foreign affairs since 1750.

Thursday, April 7, 2-4 pm
Room 208N, Munk


Lisa Lowe

Free Labour, Free Trade: Coolies, Opium, and the Intimacies of Four Continents

Co-sponsored by Diaspora and Transnational Studies, and the Asian Institute, University of Toronto.
 
Lisa Lowe is a noted scholar in the fields of comparative literature, American studies, Asian American studies, and the cultural politics of colonialism and migration. She is currently Visiting Professor of American Studies at Yale University. Lowe is the author of Critical Terrains: French and British Orientalisms, and Immigrant Acts: On Asian American Cultural Politics, in which she examines the historical, political, cultural and aesthetic meanings of immigration in relation to Asian Americans. She is coeditor of The Politics of Culture in the Shadow of Capital, a collection of essays on international cultural studies, and has published numerous articles and essays. A third book, Metaphors of Globalization, is forthcoming. Her current project, The Intimacies of Four Continents, is a study of the convergence of colonialisms in the early Americas as the conditions for modern humanism and humanistic knowledge. In her presentation, she will share a part of that project that examines the 'forgetting' of Asian indentured labour, native-descendant peoples, and African slavery within modern European liberal discourses of freedom, and its 'return' in gendered racial taxonomies that persist within the humanities today. Lowe studied European intellectual history at Stanford University, and French literature and critical theory at UC Santa Cruz.

All events are free and open to the public. Registration is encouraged via http://webapp.mcis.utoronto.ca/Events.aspx
(Please Note: registration does not guarantee a space, which is available on a "first come, first served" basis.)

Fall 2010


Friday, September 17, 2-4 pm
OISE, UT room 12-199

Karen Graves

'And They were Wonderful Teachers': Florida’s Purge of Gay and Lesbian Teachers

Organized by Sociology & Equity Studies in Education, OISE, and co-sponsored by the Centre for the Study of the United States, University of Toronto.
Professor Graves is the current Vice President of the History and Historiography Division of the American Educational Research Association and the incoming president of the History of Education Society. She is full Professor of Education and Women’s Studies at Denison University - a private, selective, liberal arts institution in central Ohio, USA. She is the author of ""Girls’ Schooling during the Progressive Era: From Female Scholar to Domesticated Citizen" (1998), and the co-editor of "Inexcusable Omissions: Clarence Karier and the Critical Tradition in History of Education Scholarship" (2001). Graves' talk will be based on her latest book, "‘And They were Wonderful Teachers': Florida’s Purge of Gay and Lesbian Teachers," published by the University of Illinois Press last year. For more details on her book, feel free to check out the UIP website at: http://www.press.uillinois.edu/books/catalog/56bwz3ba9780252034381.html.

Monday, September 20, 4-6 pm
Room 208N, Munk

 

Simone Davis and Lori Pompa

Teaching an Inside-Out Prison Exchange Program Course:
Making the Walls Porous

 
“That wall isn’t there just to keep me in, but to keep you out.” —Tyrone W.
This information session will introduce interested faculty (from any field) to the Inside-Out Prison Exchange Program. Inside-Out trained professors offer university courses behind bars to classes comprised equally of incarcerated ("inside") students and college-enrolled students from the "outside." In classes that are facilitated rather than taught, Inside-Out (I-O) students form a working community of equals based on collaboration and dialogue. I-O courses are taught in many disciplines, and many academic and correctional settings: a constant is that in the Inside-Out circle, all participants are invited to take leadership in addressing how crime is conceived, how justice might be enacted, and how violence can be understood and transcended. I-O steering committee member Simone Davis will join Inside-Out founder and director Lori Pompa. They will introduce the program and the weeklong intensive Teacher Training Institutes, and will be eager to discuss ways to launch Inside-Out in Ontario.

Lori Pompa, Founder and National Director, Inside-Out Prison Exchange Program, has worked in jails and prisons in the Philadelphia region for twenty-five years as an educator, counselor, social worker, and advocate. She directed an alternatives to incarceration program at the Pennsylvania Prison Societyfor seven years, and serves on their Board of Directors. After teaching the first Inside-Out course in 1997, Lori was awarded a Soros Justice Senior Fellowship in 2003 for her creative approach to justice education, which launched Inside-Out's national replication. A long-time member of the Criminal Justice Department at Temple University, Lori employs an experiential learning methodology in all of her teaching. She has taken more than 10,000 students to prisons, jails, and youth detention facilities.

Simone Weil Davis serves on the U.S. national steering committee for Inside-Out. A professor of American literature, American Studies and Gender Studies who has taught at Mount Holyoke College, New York University and Long Island University, Simone will be visiting faculty in the American Studies program at the University of Toronto during 2010-2011. While her first book, Living Up to the Ads: Gender Fictions of the 1920s (Duke UP 2000), treated the interplay between commodity culture and gendered subjectivity in the U.S., her work in progress, Raising the Jailhouse Roof: Women, Writing and Incarceration, looks not at commercial, but at carceral impacts on expressivity.

Thursday, September 23, 4:15 pm
George Ignatieff Theatre
Trinity College, 6 Hoskin Avenue

 

Arnold Lehman

A Perspective on Artists' Books at the Brooklyn Museum

Organized by the Centre for the Study of the Book, in association with the iSchool and the Centre for the Study of the United States.
When Arnold Lehman became director of the Brooklyn Museum - one of the nation's largest and oldest art museums - in September 1997,  his first official act on his first day of work was to march in Brooklyn's vibrant West Indian Labor Day parade. Since then, he has made the community's engagement with the Museum and the Museum's relevance to the community key priorities, through the presentation of exhibitions such as Hip-Hop Nation; Committed to the Image: Contemporary Black Photographers; Brooklyn Collects; Working in Brooklyn; Jean Michel Basquiat; Graffiti; Infinite Island: Caribbean Contemporary Art; © MURAKAMI; and Yinka Shonibare MBE, as well as through major reinstallations of the permanent collection and a widely diverse and highly successful public program. The design by the Polshek Partnership of a new front entrance and public plaza also reflects his commitment to making the Brooklyn Museum the most visitor-centered, accessible, and welcoming museum in New York City. Prior to leading Brooklyn, he was Director of the Baltimore Museum of Art for almost two decades, during which time he was Adjunct Professor of the History of Art at the Johns Hopkins University. Earlier in his career, which began in the 20th Century Department of the Metropolitan Museum, he served as Executive Director of the Parks Council of New York and Director of the Urban Improvements Program of the City of New York, a Ford Foundation program; and taught art history and issues of modernity at Yale, Hunter College, and the Cooper Union. Dr. Lehman received his Ph.D. in Art History from Yale University, where he was also awarded an M.Phil. He earned M.A. and B.A. degrees at Johns Hopkins University. He has organized innumerable exhibitions, written and lectured widely, and has served as the President of the Association of Art Museum Directors and on many Federal and local government panels and commissions. He is Chair of the Cultural Institutions Group (CIG) of New York City, a coalition of the 33 largest privately managed cultural institutions that operate in or on New York City-owned property and which receive capital and operating support from the City. He is also the immediate past Chair of Heart of Brooklyn, a collaborative partnership of six of Brooklyn's most important cultural organizations.

Friday, October 1, 2-4 pm
Room 208N, Munk

 

Kristin Hoganson

Meat in the Middle: Converging Borderlands in the U.S. Midwest, 1865-1900

Co-sponsored by the International Relations Program, and the Centre for International Studies, University of Toronto.
Kristin Hoganson is a professor of History at the University of Illinois, Urbana-Champaign. Her first book, Fighting for American Manhood (Yale, 1998), joined cultural and foreign policy history in novel ways through its emphasis on manhood as a significant consideration in debates over military intervention. Her second book, Consumers' Imperium (University of North Carolina, 2007), fuses cultural and international history by considering the politics of consuming imported goods between 1865 and 1920. Hoganson is currently writing a global history of the U.S. heartland. The constituent chapters turn local history inside out by focusing on far-flung connections rather than bounded communities.

Thursday, October 7, 4-6 pm
Room 208N, Munk

 

Mark Crispin Miller

Ghost Democracy: The Disappearance of the Vote in the United States

Co-sponsored by the Ryerson News Lab and Guelph University.
 
Mark Crispin Miller is a Professor of Media Ecology at New York University, Steinhardt School of Culture, Education, and Human Development. He received a Ph.D. from Johns Hopkins University in1977. Miller’s research interests include: modern propaganda, history and tactics of advertising, American film, and media ownership. His publications include: Boxed In: The Culture of TV; Seeing Through Movies, ed.; Mad Scientists: The Secret History of Modern Propaganda; Spectacle: Operation Desert Storm and the Triumph of Illusion; and The Bush Dyslexicon. His newest book is entitled, Cruel and Unusual: Bush/Cheney's New World Order.

*Please note change in time.*

Thursday, October 14, 4-6 pm
Room 208N, Munk

 

Mary Lou Lobsinger

Circuits: Computation, Architecture, and the Research University

Co-sponsored by the John H. Daniels Faculty of Architecture, Landscape, and Design
 
 
Mary Lou Lobsinger is Associate Professor in the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto. Her scholarly work has appeared in Grey Room, Werk, Daidalos, Journal of Architecture Education, Thresholds, Architecture+Ideas, Journal of the Society of Architecture Historians, and in numerous anthologies including Architectural Periodicals in the 1960s and ‘70s (Institut Recherche en Histoire de l’Architecture, 2008), Docomomo: Import-Export: Postwar Modernism in an Expanding World, 1945-1975 (2008), Le Citta’ visibili (il Saggiatore, 2007), and Concrete Toronto: A Guidebook to Concrete Architecture from the Fifties to the Seventies (Coach House, 2007). She has held fellowships and research grants from the Canadian Centre for Architecture, the Graham Foundation, the Social Sciences and Humanities Research Council, the Canada Council for the Arts, the Toronto Arts Council, the Ontario Design Council, the Graduate School of Design, and Harvard University. Lobsinger recently completed the book manuscript The Realist Impulse: Aldo Rossi and Postwar Italian Architectural Discourse, and is currently working on a second book project on architectural avant-gardism and the politics of post-materialism. Prior to the scholarly turn she was engaged in creative practice. Realizations have included installations for multi-disciplinary performance projects, and published photograph-text based works.

Friday, October 15, 2-4 pm
Room 108N, Munk

 

Heide Solbrig

A Liberal Vision:  Film and Middle Class Identity in Post-War Industrial Media

Co-sponsored by the University of Western Ontario, and Cinema Studies, Innis College, University of Toronto.
Heide Solbrig has a PhD is in Communication from the University of California, San Diego. She is an assistant professor of media and culture at Bentley College in Massachusetts. Solbrig’s research focuses on industrial film—a long-overlooked yet significant distribution point of economic and social-psychological discourse, and (its role in the production of) twentieth century economic subjectivity. Her current documentary film is an extension of her research. The Ocean We Swim In: The Work and Vision of Henry Strauss concerns the work of this pioneering industrial filmmaker, whose clients in the decades immediately following WWII included AT&T, GE, Pan Am, and a number of other major US corporations. Solbrig's approach highlights this filmmaker's role in establishing the post-war labour-management state accord through his incorporation of social science and communication research into industrial training and motivation film. The documentary features interview footage of the filmmaker, excerpts from his films, a wealth of other archival and historical material, and a compelling political-economic analysis.

Thursday, October 21, 7-9 pm
St. Michael’s College, Alumni Hall, Muzzo Family
121 St. Joseph Street, rm. 100



Jim Campbell

A Triumph for the Tea Party? A New Republican Revolution or Will the Democrats hold onto Congress?

Co-sponsored by the Department of Political Science, University of Toronto.

 

*Please note new time and room*

Friday, October 22, 11 am - 12:30 pm
Sidney Smith Hall, Room 3037
100 St. George Street


Jim Campbell

The Economic Records of the Presidents: Party Differences and Inherited Economic Condition

Co-sponsored by the Department of Political Science, University of Toronto.
 
James E. Campbell is the Chair of the Department of Political Science at the University at Buffalo, State University of New York. He is also the President of Pi Sigma Alpha, and The National Political Science Honor Society. He is a former APSA Congressional Fellow, and a program director at the National Science Foundation. He has served on the editorial boards of six political science journals, and on the executive councils of seven political science organizations. Professor Campbell has published four books, and more than sixty book chapters and articles in major political science journals. His most recent book is the second edition of The American Campaign: U.S. Presidential Campaigns and the National Vote, published in 2008 by Texas A&M University Press. He is also the author of Cheap Seats: The Democratic Party's Advantage in U.S. House Elections, and The Presidential Pulse of Congressional Elections. Prior to joining the UB faculty in 1998, he served on the faculties of the University of Georgia (1980-88), and Louisiana State University (1988-98).

Tuesday, October 26, 10 am to 12 noon
Vivian and David Campbell Conference Facility
1 Devonshire Place, Munk School of Global Affairs

 

IN CONVERSATION WITH BRIAN STEWART:

Pulitzer-Prize Winning Journalist Christopher Hedges

Co-sponsored by the Trudeau Centre for Peace and Conflict Studies, Munk School of Global Affairs
 
Join senior Canadian foreign affairs journalist and Munk School Distinguished Senior Fellow Brian Stewart in conversation with Christopher Hedges, Distinguished Visitor in the Centre for the Study of the United States, on topics ranging from the moral and political dimensions of modern war to the erosion of democracy in the contemporary U.S.
 
Brian Stewart is one of Canada’s most respected foreign correspondents. He reported for The National and hosted "CBC News: Our World." Mr. Stewart received a Gemini Award as “Best Overall Broadcast Journalist” in 1996, and for “Best Information Segment” in 1994 for Rwanda: Autopsy of a Genocide. His documentary, The Somalia Affair, won top prize for investigative reporting at the Canadian Association of Journalists awards in 1993. He is the 2009 Ross Munro Media Award Recipient; awarded by the Conference of Defence Associations (CDA), in concert with the Canadian Defence and Foreign Affairs Institute, the Ross Munro Award recognizes Canadian journalists who have made a significant and extraordinary contribution to increasing public understanding of Canadian defence and security issues.
 
Christopher Hedges is the F. Ross Johnson-Connaught Distinguished Visitor in American Studies, at the Centre for the Study of the United States, University of Toronto. Prof. Hedges is a Pulitzer Prize winning journalist who has taught at Columbia University, New York University, and Princeton University. He is the author of War is a Force That Gives Us Meaning (2002) and Empire of Illusion: The End of Literacy and the Triumph of Spectacle (2009). Prof. Hedges received the Amnesty International Global Award for Human Rights Journalism in 2002. His latest publication, The Death of the Liberal Class (2010), will be launched on November 4th at the Bahen Centre for Information Technology.

Thursday, October 28, 7:00 - 10 pm; (doors open 6:30 pm)
Innis Town Hall, 2 Sussex Ave.

Passage

Directed by John Walker

The film screening will be followed by a Roundtable discussion with: Kay Armatage, Cinema Studies; Heidi Bohaker, Department of History; and, Darrell Varga, Canada Research Chair, Contemporary Film & Media Studies.

Co-Sponsored by: Cinema Studies, Innis College, and Department of History, University of Toronto.
 
The film’s historical subject is Sir John Franklin’s doomed expedition to discover the Northwest Passage. Passage is a truly remarkable piece of historical filmmaking, a lyrical model of how to construct a historical project while showcasing both the processes of making that history, as well as the changing political stakes of a specific historical narrative over time. For its unparalleled brilliance in showcasing the historical consequences of making choices in the production of historical narrative, Passage is exemplary for the “promotion of history,” a central criteria of the Erik Barnouw Award, which was awarded to John Walker in 2009.
 
John Walker is one of Canada's finest directors/cinematographers working in the documentary genre, and his films have won international acclaim. From the Academy of Canadian Cinema & Television he has received seventeen nominations andawards, including the coveted Donald Brittain Award for best social/political documentary—Utshimassits: Place of the Boss; best documentary director—The Hand of Stalin; and best feature documentary—Strand—Under the Dark Cloth, a personal portrait of his mentor. His film on the Cape Breton coal miners’ choir, Men of the Deeps, won three Gemini awards.
 
Darrell Varga is the Canada Research Chair, Contemporary Film & Media Studies, Nova Scotia College of Art and Design in Halifax; Kay Armatage is a Professor of Cinema Studies and Women and Gender Studies at the University of Toronto; and Heidi Bohaker is Assistant Professor in the Department of History, University of Toronto.

*Please note new time and room.*

Wednesday, November 3, 12 noon - 2 pm
Room 108N, Munk

 

Roundtable

From Containment to Control: Prisons in the Americas

Participants: Simone Davis (chair), Chris Hedges, Kevin O’Neill, Greg Rogers

 

Simone Weil Davis serves on the U.S. national steering committee for the Inside-Out Prison Exchange Program and is coordinating the program’s international expansion initiative. A professor of American literature, American Studies and Gender Studies who has taught at Mount Holyoke College, New York University and Long Island University, Simone is visiting faculty in the American Studies program at the University of Toronto during 2010-2011. While her first book, Living Up to the Ads: Gender Fictions of the 1920s (Duke UP 2000), treated the interplay between commodity culture and gendered subjectivity in the U.S., her work in progress, Raising the Jailhouse Roof: Women, Writing and Incarceration, looks not at commercial, but at carceral impacts on expressivity.

Christopher Hedges is a Pulitzer Prize winning journalist who has taught at Columbia University, New York University, and Princeton University. He is the author of War is a Force That Gives Us Meaning (2002), and Empire of Illusion: The End of Literacy and the Triumph of Spectacle (2009). Hedges also received the Amnesty International Global Award for Human Rights Journalism in 2002. He is the F. Ross Johnson Distinguished Visitor for th Centre for the Study of the United States in 2010.
Kevin O’Neill is an Assistant Professor, Department and Centre for the Study of Religion, Centre for Diaspora and Transnational Studies at the University of Toronto. He joined the Department in 2009, after two years at Indiana University, Bloomington, where he was an Assistant Professor of Religious Studies and American Studies. Kevin’s research centres on the themes of responsibility and belonging, both their social construction and emotional texture at everyday levels of knowledge. These are themes that he approaches transnationally through the ethnographic study of Pentecostal and Charismatic Christianity in and beyond Central America. His first book, City of God: Christian Citizenship in Postwar Guatemala (University of California Press, 2009), details neo-Pentecostalism’s growing influence on Guatemala’s postwar efforts at democratization. His second book, Two Ways Out: A Study of Death and Life, will explore the transnational gang circuit known as Mara Salvatrucha from the perspective of gang ministry.
 
Greg Rogers has been the Executive Director of the John Howard Society of Toronto since October 2005. Mr. Rogers has extensive experience in Aboriginal Economic Development, Adult Education, and Media Relations. Prior to moving to Toronto, Greg worked in Alberta, Nunavut, and Ottawa. He attended the University of New Brunswick and St. Francis Xavier University.

Registration is now closed. This event is full.
 

Thursday, November 4, 5-7:00 pm
The Bahen Centre for Information Technology
BA1160, 40 St. George Street


Chris Hedges

The Death of the Liberal Class

Co-Sponsored by the Department and Centre for the Study of Religion, University of Toronto.
Chris Hedges is a Pulitzer Prize winning journalist who has taught at Columbia University, New York University, and Princeton University. He is the author of War is a Force That Gives Us Meaning (2002), and Empire of Illusion: The End of Literacy and the Triumph of Spectacle (2009). Hedges also received the Amnesty International Global Award for Human Rights Journalism in 2002. He is the F. Ross Johnson Distinguished Visitor for th Centre for the Study of the United States in 2010.
We will be hosting a launch of Hedges’ new book entitled, The Death of the Liberal Class, following his talk.
TVO, "Big Ideas":
Chris Hedges lecture from November 4th will be broadcast on TVO's "Big Ideas" on January 22 at 5pm, and repeated the next day, same time. The video and audio podcast will go up on iTunes shortly before the broadcast, and on the www.tvo.org website on Monday, January 24th.
 
TVO, "The Agenda with Steve Paikin":
To View Chris Hedges' appearance on "The Agenda with Steve Paikin" on TVO, follow these links below:
http://www.tvo.org/cfmx/tvoorg/theagenda/index.cfm?page_id=7&bpn=779880&ts=2010-10-22%2020:00:00.0
 
The links are also on the TVO YouTube channel:
http://www.youtube.com/user/AgendaStevePaikin
 
CBC, "George Stroumboulopoulos Tonight":
To View Chris Hedges' appearance on "George Stroumboulopoulos Tonight", follow the link below:
http://www.cbc.ca/strombo/videos.html?id=1633278884

Wednesday, November 10, 2:00 PM - 3:30 PM
208N, North House, Munk School of Global Affairs

 

 

David Jacobson, United States Ambassador to Canada

U.S. - CANADA RELATIONS FOLLOWING THE U.S. MID-TERM ELECTIONS

Co-sponsored by the United States Consulate General Toronto, Centre for International Studies, and Centre for the Study of the United States
 
CHAIR: Louis Pauly, Director, Centre for International Studies
 
David Jacobson was sworn in as U.S. Ambassador to Canada on September 25, 2009, having been nominated by the President and unanimously confirmed by the Senate.  On October 2, 2009, Ambassador Jacobson presented his credentials to the Governor General of Canada and became the 22nd U.S. Ambassador to Canada. Before coming to Ottawa, Ambassador Jacobson served as Special Assistant to the President for Presidential Personnel. Prior to serving in the White House, Ambassador Jacobson spent 30 years as a lawyer in Chicago gaining expertise in the areas of complex commercial, class action, securities, insurance and business litigation as a partner at the law firm Sonnenschein, Nath & Rosenthal LLP. He has also gained extensive experience working with regulatory and administrative agencies and all levels of government. In addition to his litigation experience, Ambassador Jacobson has helped clients large and small to address the legal and business issues they confront as they adapt their business models to incorporate new technologies. Jacobson has written and spoken extensively on the importance of new technologies and the novel legal issues they present. While working as a partner at Sonnenschein, Ambassador Jacobson also founded AtomWorks, an organization to bring together corporate, civic and academic leaders in order to foster nanotechnology in the Midwest. He served as a member of CEOs for Cities, a national bipartisan alliance of 75 mayors, corporate executives, university presidents and nonprofit leaders organized to advance the economic competitiveness of cities. He has served on other boards, including the Legal Assistance Foundation of Chicago and the Better Boys Foundation. Ambassador Jacobson received a J.D. from the Georgetown University Law Center and was the Administrative Editor of the Georgetown Law Journal. He received his B.S. from the Johns Hopkins University. Ambassador Jacobson and his wife, Julie, have two children, Wynne and Jeremy.

Register online at:
http://webapp.mcis.utoronto.ca/EventDetails.aspx?eventid=9812

Thursday, November 11, 4-6 pm
Vivian and David Campbell Conference Facility
Munk School of Global Affairs
1 Devonshire Place

 

James Kloppenberg

Reading Obama: Dreams, Hope, and the American Political Tradition

 

The webcast can be found here: 
http://hosting.epresence.tv/MUNK/1/watch/197.aspx
 
James Kloppenberg is the Charles Warren Professor of American History at Harvard University, specializing in American and European intellectual history. Kloppenberg was educated at Stanford (M.A., 1976, Ph.D., 1980). He has written about the rise and fall of social democracy in Europe and America; eighteenth-century American politics and ideas; the career of the American philosophy of pragmatism from the late nineteenth to the twenty-first century; European interpretations of American culture from Tocqueville through Weber; and the relation between contemporary critical theory and historical writing. He has been chair of the History of American Civilization program, and has addressed the direction of the field in "Transnational and Multi-Disciplinary: The New Goals of American Studies Programs," American Studies Association Newsletter 28 (March 2005). His books include The Virtues of Liberalism (Oxford University Press, 1998), A Companion to American Thought (Blackwell, 1995), co-edited with Richard Wightman Fox; and Uncertain Victory: Social Democracy and Professivism in European and American Thought, 1870-1920 (Oxford University Press, 1986). He has held fellowships from the Danforth, Whiting, and Guggenheim foundations, the American Council of Learned Societies, and the National Endowment for the Humanities. Kloppenberg has held the Pitt professorship at the University of Cambridge, and has taught at the Ecole des Hautes Etudes en Sciences Sociales in Paris. In recognition of his teaching, he has been named a Harvard College Professor, and awarded the Levinson Memorial Teaching Prize by the Harvard Undergraduate Council.

Copies of Prof. Kloppenberg's new book will be available for sale following the lecture in the first floor lounge..
 
The webcast can be found here: 
http://hosting.epresence.tv/MUNK/1/watch/197.aspx

Please Note: Registration for this conference is completely full.

Friday, November 12, Saturday, November 13,
Sunday, November 14
Campbell Conference Facility, Munk

 

Conference

DIY Citizenship: Critical Making and Social Media

Co-sponsored by the iSchool, and Knowledge Media Design, University of Toronto.
A renewed emphasis on participatory forms of digitally-mediated production is transforming our social landscape. “Making” has become the dominant metaphor for a variety of digital and digitally-mediated practices. The web is exploding with independently produced digital content such as: video diaries, conversations, stories, software, music, and video games, all of which are further transformed and morphed by “modders,” “hackers, artists, and activists who redeploy and repurpose corporately-produced content. Equally, communities of self-organized crafters, hackers, and enthusiasts are increasingly to be found online exchanging sewing and knitting patterns, technical guides, circuit layouts, detailed electronics tutorials, and other forms of instruction and support. Many of these individuals and collaborators understand their work to be socially interventionist. Through practices of design, development, and exchange they challenge traditional divides between production and consumption and to redress the power differentials built into technologically-mediated societies. “DIY Citizenship” invokes the participatory nature of these diverse “do-it-yourself” modes of engagement, community, networks, and tools, all of which arguably replace traditional with remediated notions of citizenship. The term “critical making” refers to the increasing role “making” plays in critical forms of social reflection and engagement. This interactive conference seeks to extend conversations about new modes of engaged DIY citizenship and politics evidenced by the exponential increase of DIY media, “user-generators,” “prosumers,” “hacktivists,” tactical media interventionists, and other “maker” identities.

Plenary speakers include:Anne Balsamo, Suzanne de Castell, Ron Deibert, Paul Dourish, Henry Jenkin, Jennifer Jenson, Natalie Jeremijenko, Steve Mann, and Trebor Scholz.
 
To view webcasts from the conference, please go to the Munk School of Global Affairs webcast site:
http://hosting.epresence.tv/MUNK

Friday, November 26, 2-4 pm
Room 108N, Munk


R. Tripp Evans

Paint Like a Man: Gender and Disguise in the Work of Grant Wood

Co-sponsored by the Department of Art, and Sexual Diversity Studies, University of Toronto.
R. Tripp Evans is Professor of Art History at Wheaton College in Massachusetts. He received his Ph.D. in the History of Art at Yale University, and lives in Providence, Rhode Island. Grant Wood [1891-1942] was the first overnight sensation in the history of American art. From the moment his now-iconic American Gothic caught the nation’s attention in 1930, the artist and his work have become something of a blank canvas for audiences and critics – who tend to overlook the more uncanny elements of his striking compositions and accept his wholesome, “farmer-painter” persona at face value.  R. Tripp Evans’s groundbreaking new biography, Grant Wood: A Life (Alfred A. Knopf: 2010), challenges Wood’s public image as a simple country boy who promoted patriotic values.  In this lecture and reading, Evans explores how this deeply closeted artist both reinforced and subverted traditional gender expectations in his work, often at considerable risk to his own career.
Copies of his latest publication will be available for sale following the lecture.

Monday, November 29, 4-6 pm
Room 208N, Munk


Noël Sturgeon

“Avatar” and Activism: Ecological Indians, Climate Justice, and Disabling Militarism

Co-sponsored by the Women and Gender Studies Institute, University of Toronto.

Noël Sturgeon is Professor of Women's Studies and Graduate Faculty in American Studies at Washington State University. She is the author of Ecofeminist Natures: Race, Gender, Feminist Theory and Political Action (Routledge 1997), Environmentalism in Popular Culture: Gender, Race, Sexuality and the Politics of the Natural (University of Arizona, 2009) and numerous articles on environmentalist, antimilitarist, and feminist movements and theories. She has been a Rockefeller Fellow at the Center for the Critical Analysis of Contemporary Culture, Rutgers; a Visiting Scholar at Murdoch University, Australia; at the JFK Institute at the Frei Universitat in Berlin, and at the Center for Cultural Studies, UCSC; and a Distinguished Fulbright Lecturer at York University, Toronto.

Thursday, December 2, 4-6 pm
Room 208N, Munk

Mark Garrett Cooper

The Humanities after Hollywood

Co-sponsored by the Cinema Studies Institue, Innis College, University of Toronto.
Mark Garrett Cooper is Interim Director of Moving Image Research Collections, and Associate Professor of Film and Media Studies, in the Department of English, University of South Carolina. He has a Ph.D. from Brown University, 1998. Cooper’s research seeks to explain what it means that corporate institutions make movies, and, simultaneously, how movies have helped to define corporate institutions. He is currently researching a history of motion picture accounting that will consider bookkeeping’s participation in the artistic process. With John Marx, he is writing a reappraisal of twentieth-century humanities disciplines tentatively entitled, How Hollywood Invented the English Department. As interim director of Moving Image Research Collections, he engages multiple initiatives to generate alternative histories from archival motion pictures.

Friday, December 3, 10 am-12 noon
Room 208N, Munk

 

The Image and the Archive

A workshop exploring scholarly research into images and its relationship to archival resources. Research areas will include photography, documentary and avant-garde film, and Victorian visual culture.

 
Featuring:
Mark Garrett Cooper
(Department of English, University of South Carolina), Interim Director of Moving Image Research Collections
And
Elspeth Brown (Department of History, University of Toronto and Director, CSUS)
James Cahill (Department of French and CSI, University of Toronto)
Sophie Thomas (Department of English, Ryerson University)
 
Moderated by: Charlie Keil (Department of History and CSI, University of Toronto and JHI Faculty Fellow)

Friday, December 3, 2-4 pm
Vivian and David Campbell Conference Facility
Munk School of Global Affairs
1 Devonshire Place

 

Andrew DuBois

Roundtable:
The Anthology of Rap

 

Andrew DuBois is Associate Professor of English at the University of Toronto at Scarborough. He co-edited a collection of critical essays called Close Reading: The Reader (Duke UP, 2003), and is the author of Ashbery’s Forms of Attention (U of Alabama, 2006). A special issue of University of Toronto Quarterly called “The Song is You: Opera, Lyrics and Literary Study,” edited with Katherine Larson, is forthcoming in the Fall. The Anthology of Rap (Yale UP, 2010), co-edited with Adam Bradley of the University of Colorado, collects roughly 300 lyrics from thirty years of recorded rap, accompanied by historical essays that contextualize the poetic innovations that both characterize and help to define hip-hop as a domestic culture and global force.
 
The roundtable participants are:
 
Christian Campbell: Writer, Poet, Cultural Critic, and Assistant Professor of English (University of Toronto) specializing in Caribbean Literature, Black Diaspora Literatures and Cultures, and Poetics.
Karina Vernon: Writer, Publisher, and Assistant Professor of English (University of Toronto) specializing in Black Canadian Cultural Studies, Canadian Literature, and Diaspora Studies.
Del Cowie: Toronto-Based Music Journalist whose writing has appeared in VIBE, XXL, Eye Weekly and Sway, as well as online websites such as Amazon.com and AOL Canada. He is currently the hip-hop editor at national monthly music magazine Exclaim!
Angelica LeMinh: Reader, Writer, Blogger, and Performance Artist whose work appears in Pound and metro_textual.wordpress.com.
Masia One: Toronto-Based Rap Artist
Reflect: Toronto-Based Rap Artist
 
Copies of this publication will be available for sale following the lecture.

Monday, December 6, 4-6 pm
Room 208N, Munk


T.V. Reed

Music in the African American Civil Rights Movement: On Liberation Musicology

 
 
T.V. Reed is the Buchanan Distinguished Professor of English and American Studies at Washington State University. His areas of research and teaching include: interdisciplinary cultural theory, popular culture, digital cultures, environmental justice cultural studies, and social movement cultures. Reed also writes and manages the matrix, “Cultural Politics” [culturalpolitics.net], with websites addressing each of these research areas. His book The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle (U Minnesota Press, 2005) was nominated for the John Hope Franklin prize. He is also the author of Fifteen Jugglers, Five Believers: Literary Politics and the Poetics of Social Movements (U of California Press, 1992). Reed has two books in process, one on 30s radical novelist Robert Cantwell, the other an introduction to critical digital culture studies. Reed was elected in 2006 to the National Council of the American Studies Association. He has been a Mellon Fellow at Wesleyan University, a Fulbright Senior Lecturer at the Freie Universitat in Berlin, Germany, a Scholar in Residence at the Center for Cultural Studies at the University of California, Santa Cruz, and a Visiting Lecturer at Yunnan University in China and ICU in Tokyo, Japan.

 
All events are free and open to the public. Registration is encouraged via http://webapp.mcis.utoronto.ca/Events.aspx (Please Note: registration does not guarantee a space, which is available on a "first come, first served" basis.) Lectures are given at the Munk School of Global Affairs, University of Toronto, 1 Devonshire Place, Room 108N or 208N, North House, Toronto, unless indicated otherwise.

This year’s speaker series is coordinated by Professor Kevin O’Neill (Department and Centre for the Study of Religion), and Professor Elspeth Brown (Director, Centre for the Study of the United States and American Studies program). Questions or comments for any of the events listed here can be directed to Stella Kyriakakis, Administrator for CSUS, at 416-946-8972 or csus@utoronto.ca. Public talks at CSUS are made possible through a generous gift the University of Toronto by F. Ross Johnson, and by funds from the University of Toronto’s Connaught Fund, designed to support outstanding research at the University. Many thanks to F. Ross Johnson and to the Connaught Fund for endowing these events.

About the Centre for the Study of the United States:

CSUS was founded in 1999 at the University of Toronto as an interdisciplinary research and teaching centre devoted to the study of the United States. Housed in the Munk School of Global Affairs, CSUS brings together the research and teaching of more than 75 Americanist scholars at the University of Toronto; runs a vibrant undergraduate American Studies major and minor program; and fosters public programming concerning the United States. For more information, including directions to the Munk School of Global Affairs, please see our website at http://www.utoronto.ca/csus.

© 2010 Centre for the Study of the United States • Munk School of Global Affairs • University of Toronto